On the table
Natalie Bennett writes about the Cooke sisters, learned women of the Renaissance, and reviews CJ Samson's Sovereign, the third Master Shardlake detective novel set in the age of Henry VIII.
Alan Baumler presents fascinating material in Keeping Halal in the Ming dynasty.
Confused about tipping? Raminagrobis's Straight Tip to All Cross Coves may not help you work out the correct percentage, but it does offer some interesting etymologies.
Really stretching the limits of the "early modern": Mary Mark Ockerbloom alerts us to Diplomatic Difficulties, a new selection of texts at A Celebration of Women Writers which focuses on "women who were first-hand observers or direct participants in the diplomatic process."
Conrad H. Roth translates and comments on a poem by Ausonius about an adulterous woman who poisons her husband but then worries that the poison was not strong enough.
Mark A. Rayner presents The Lost PowerPoint Slides (Pope Leo X Edition) at the skwib.
Across the table
T. Bridges justifies a madman, specifically, William Dowsing, at The Conventicle.
Gavin Robinson discusses shock tactics during the English Civil War at Investigations of a Dog, and explodes some myths about early-modern cavalry charges.
Abu Sahajj suggests that the work of modern American intellectuals "reflects a greater self-absorption than that of 18th century imperialist scholars" in An Occidental-Muslim's Criticism of Empires and Orthodoxies.
On periodization: Longer Than I Don't Remember: Idiosyncratic Periodization for Fun and Profit by Scott Eric Kaufman (host of the most recent History Carnival).
The Long Eighteenth just finished their second collaborative reading, of The Triumph of Augustan Poetics: English Literary Culture from Butler to Johnson by Blanford Parker (the first was of Michael McKeon's The Secret History of Domesticity: Public, Private, and the Division of Knowledge).
At the table
After several weeks of posts on foie gras, Carolyn Smith-Kizer posts a recipe for Goose Pye at 18thC Cuisine.
And, given the season, recipes for Marchpane.
Books, art, and book art
Jem Webster goes museum hopping and offers Bartolomé Esteban Murillo's Four Figures on a Step (ca. 1655-60) for the reader's perusal.
Sharon points toward Joe Miller's Jests: or, The Wits Vade-Mecum (1739) at staggernation (also home of John Ashton's Modern Street Ballads (1888)).
Mister Aitch offers selections from A Catalogue of Engraved and Etched English Title Pages down to the death of William Faithorne, 1691, at Giornale Nuovo. An earlier post offers images from The Naming of Names by Anna Pavord, "an absorbing history of the study, classification and illustration of plants."
More? Visit Heidelberg Schlossgarten at BibliOdyssey. And linger for images from Fasiculus Rariorum, the Comic History of Rome, and, just today, Stilt Walkers.
Confessions of a Bookplate Junkie always has lots to look at. And don't forget to check the item of the day at the 18th-Century Reading Room.
Onstage
Jem Webster posts about how Daniel O'Quinn's Staging Governance: Theatrical Imperialism in London, 1770-1800 has affected his teaching.
Tim Abbott discovers an ancestor in the circus.
And — too good! — Hieronimo imagines — and begins — a Shakespearean history cycle about the Bush family. It's funny because it's true.
My graduate course, Women Onstage in the Long Eighteenth Century, just ended. I blogged; the students blogged; and we made forays into Wikipedia. Speaking of which …
Around the web
The latest in Random Wiki-Testing at Blogging the Renaissance. Hieronimo says this is not a meme, but it looks like fun. Might I add, as a suggestion, that people who do engage in this non-meme might want to consider making some edits if they don't like what they find?
The next Carnivalesque will be an ancient/medieval edition at Memorabilia Antonina on or about 25 January. Want to join the carnival? Submit your blog article to the next edition of Carnivalesque using the quick and painless submission form. Past posts and future hosts can be found on the index page. And please check out the Carnivalesque site.
Thanks to all who submitted links.
I will be hosting an early modern edition of Carnivalesque on the Dec. 16/17 weekend.
To submit nominations you can either send an email to the carnival email address or to me (jones at unbsj dot ca), or you can use the colourful submission form at Blog Carnival.
My own interests tend towards the latter part of the period and revolve around the literary, women, and the publishing industry, particularly street culture, so anything in that vein would be particularly welcome here. But please, send any and all links to posts you have read, or written yourself. What is a carnival if not abundance in motion?
is up, over at Sharon's. And, bless her, she has linked me, twice. But my students had better not go over there.